Despite being an art film, Blowup, Michelangelo Antonioni’s most popular film, undoubtedly owes its huge box office success to its plenty of sex scenes, drug parties and pleasant actresses. However, the movie offers rather more to the audience in its subtext. The audience, who thinks that they are watching a movie that’s consumed, realizes that they are faced with a movie that has got to be digested once they reach the tip of the movie.
Antonioni, hiding behind the frame story in L’avventura, put a barrier between the audience and so the most thing he wanted to tell. Although the frame story of L’avventura is “adventures while trying to seek out a lost woman”, the message that the director wants to convey is that the emptiness that individuals have enlarged with this effort, trying to be joyful in an exceedingly very line, at least, and so the emptiness of this emptiness. The dissatisfaction it caused.
In Blowup, Antonioni follows a successful fashion photographer. Thomas could also be a photographer whom beautiful women pay to need their pictures. It does its job almost perfectly and is neither an economic issue nor a lonely one. There are always beautiful ladies and their assistants around. Thomas lives a life so pompous that an outside eye can say, “There’s no reason why he mustn’t be happy.” However, the phrase “There isn’t any reason why he should not be happy” is that the rationale for Thomas’ emptiness and dissatisfaction. When movie maker was asked why he didn’t use drugs, the director’s response summed up Thomas’ situation: “If everything is gorgeous, it’s impossible for nothing to be beautiful”.
In many scenes, it’s understood that Thomas is gloomy and impatient and bored with doing his job. But that changes when the photographer stumbles upon a pair while shooting within the park. Watching the couple from afar, Thomas takes pictures nonstop. When he prints the photos, he sees someone with a gun and a corpse lying on the underside where the girl was looking. Or not see. Thomas begins to think he’s witnessed a murder. Or was it not witnessed? These points aren’t clearly conveyed within the film. Because it doesn’t matter. Antonioni filmed the audience first so pushed. the rationale for creating this cinematic nudge is to isolate the audience from the frame story he’s telling and to concentrate on what he really wants to tell. it’s the identical thing we witnessed in L’avventura and Blowup: a cinematic poke.
Thinking that Thomas might witness a murder suddenly makes him a completely different person. Now his work excites him and attracts his attention. It’s almost as if the emptiness inside has been filled, and he has taken steps to need he’s doing something for real. While the audience thinks that the movie are visiting be solved at this stage, the movie involves an end and also the audience realizes that the murder case won’t be connected and resolved. there is no conversation within the last 10 minutes of the movie on the typical. That 10 minutes the audience nudged, “The movie is over and there is nothing about murder. So there’s something else” is that the part where he says. So it is the foremost important part.
In the first scene of the movie, a bunch of white-faced clowns are seen touring around London, where the movie is about. All they’re doing is skylark laughing and possibly raising money for charity. Antonioni shows the band of clowns singing and laughing, interspersed with scenes of sullen workers leaving their jobs at the factory. Almost at the beginning of the film, the audience is anxious by the lively entertainment of the clowns and also the life-weary, motionless, sullen faces of the factory workers. At the beginning of the movie, these two groups of people seem to be the opposite of each other, one side happy and one side unhappy, but when the identical group of clowns is encountered at the highest of the movie, it’ll be noticed that there is no difference between clowns and workers. Both groups proceed in an exceedingly line. Demands a line, demands happiness, be it unhappiness, it doesn’t provide satisfaction. Because it’s impossible for somebody to know happiness without being unhappy. Because “If everything is gorgeous, nothing are often beautiful”.