In the final scene of the movie, a bunch of clowns come to a court. Thomas is there too. Two members of the group start playing imaginary tennis. there’s neither a ball nor a racket. However, two clowns playing tennis frolic as if they’d a ball and a racket in their hands, and greet the imaginary balls they sent to each other. Dozens of clowns watching them watch this imaginary match with great attention, turning their heads from side to side. While Thomas watches with an expressionless face, the imaginary ball runs off the court to Thomas’ side. Suddenly everyone looks at Thomas with eyes asking him to bring the imaginary ball. Thomas can’t stand the stare he’s been exposed to and picks up the imaginary ball and throws it back onto the court. That ball isn’t any more imaginary, Thomas the sound of a ball colliding with a racket.
started to hear. Now he has returned to the lives of those who escaped from the fact. The movie ends with Thomas disappearing. This scene very beautifully symbolizes being trapped in an unreal world while escaping from unhappiness.
The fact that Michelangelo Antonioni touches on similar subjects in both L’avventura and Blowup shows what quantity he was influenced by the subject of “the creature who always looks happy on the skin but features an excellent emptiness inside”. Human; He eats when he’s hungry, sleeps when he’s tired, and makes love when he desires. He does all of this for satisfaction because that’s his purpose, to be satiation. So, an insatiable bliss is meaningless, therefore it doesn’t serve the aim of man. as someone is hungry for food, tired to sleep, and desires to form love; Likewise, he becomes unhappy so on be happy.
The reason why people cannot be satisfied merrily is that they struggle to be happy even in situations that require them to be sad, and appear that way while they can’t. However, unhappiness is additionally an emotion and demands fulfillment. One must feel respect for the emotions one has. Otherwise, it would go against his nature. But so on flee from plenty of unhappiness, a private clings to a false happiness type of a 1 who falls into the ocean hugs a snake. But this false happiness doesn’t satisfy him. Because she remembers inwardly that her happy demeanor is barely a mask. Beneath that mask, the feeling of unhappiness waits and waits to be satiated. But it isn’t done, and this creates the great void that Antonioni talks about in his films.
A person who goes on a journey by car travels for miles on the because of his destination. He may must take many different paths on this journey. Will that person not enter that road just because a road is broken? If he chooses in our own way just because it’s better, how will he get to where he wants to go? Emotions that need to be felt are like roads that has got to be taken to achieve a part. One must endure the rough roads by wondering where they’ll eventually reach.
Unhappiness isn’t something that someone must have in his life. But that doesn’t mean it won’t be. Unhappiness is also a phenomenon that every man should accept in his life. while it seems that the journey of a personal to happiness continues without the confrontation that comes with this acceptance, it doesn’t. one of the moments when someone is most helpless isn’t actually getting anywhere, but thinking that he has arrived. Because he won’t be ready to see the state he’s in and might not be ready to do anything to correct it. He won’t even know because he’s helpless within the foremost desperate moment. For this reason, many folks feel an emptiness within themselves, from where it comes from, as in Antonioni’s films. exploit from unhappiness doesn’t suggest getting eliminate it. The because of get obviate unhappiness is to satisfy it by confronting it.